Dalvin, revealed the incident almost killed DeVante who managed to bite off a finger of his assailant. Dalvin recalled getting worried after DeVante failed to show up at his party that night. There they discovered him tied up and severely beaten with his skull wide open. It was later revealed one of them killed the other. The survivor was arrested and is currently in prison. Women with Will. TV Shows. SJ: Yea very cool. Darryl Pearson: [Jodeci] had just did their debut album and they were doing a promo tour at the African American Festival in Baltimore.
I met them there. Actually, when I was playing, I grew up in the church. I was playing with a national Christian group called Nicholas. That was when they were staying in DC. We went to the hotel and I let him hear some tracks. He said he wanted to start a production company and asked if I wanted to be down. I said yes. DeVante brought all of his artists there, Da Bassment.
Not Swing Mob, but it probably was a part of it. He needed to replace a member of Sugah so I auditioned. It was about 3 other girls in there. I sung an original song. So then I went to the studio and saw all of this music just everywhere in every room, so much talent.
I definitely wanted to be part of this. When they got on, they told Devante Swing specifically about Tim because he was the producer of the group. He thought Tim was talented, but he was going to use Al B. She knew Tim would work for what she was doing. I have to give Devante credit because he actually listened. Missy then told him about us and then we went for an audition. I think Devante heard something he could mold.
I asked if he could keep the rest of the group. I ended up leaving and then two years later, Devante told me what happened. Missy could see things in people as far as their gift. I always look back to when she rode with Tim because how did she know? She put it out there and probably risked her opportunity because she believed in Tim so much that she was willing to put herself out there.
You can pull other people up and also still have your opportunity. I was a solo act and Sista had like lost a member or something and I was singing before Mary J.
The show was delayed so they called some girls up on stage and I think I had just arrived, I thought I had just missed the opening part of the show, but I guess I was right on time.
All my friends had pushed me up on stage, so I sang a song and had a standing ovation. Timbaland happened to be in the crowd and after the show, we kind of crossed paths at the McDonalds outside of Hampton Coliseum. Would you be interested in joining the group?
Darryl Pearson: What happened then was, Jodeci went on a promo tour and met Ginuwine. He came back, we started working with him. Then Missy and her group Sista. Missy brought Timbaland and his crew up. It was crazy because DeVante sent everybody home, but he called back Timbaland and Magoo. That was when Timbaland joined in with us also.
This was around Everything was happening pretty quickly. Ginuwine: I had been doing talent shows. I always had confidence in myself. I knew he would think this kid had something. I found him, I was in the hotel, getting into the hotel was another long story.
I was able to find DeVante when he was downstairs in a ballroom surrounded by girls. I just was standing there and he kept looking. He just got up and came over to me and asked if I could sing. I told him I could, so he asked me hear me sing. All the girls started screaming and stuff, so he grabbed me and took me to meet his manager. He told me he was looking for groups, he was starting a new thing called Swing Mobb. He had some groups already, which I found out was Missy and Timbaland and all of that stuff.
Smoke E. The group that I was in at the time attended that concert with the hopes of being able to sing for someone and get noticed. A security guard, guarding the doors that led to the buses that loaded and unloaded the performing stars, allowed us to go out by the buses to see if we saw anyone.
He remembered us from singing somewhere in Louisville, being that we were a local favorite at the time. When we went out to the buses we ran into Mr. He went and got his brother, DeVante Swing, we sang for him, and exchanged numbers. DeVante Swing ended up calling my number, from memory, in March of , after the tour was over and after he got his label, Swing Mob, up and running.
The initial concept was to put me in Intro or H-Town, but, I really wanted him to hear the group. At that time, it was a group compiled of new members. When he came down to Louisville, after the Soul Train Awards, he heard us, and the rest was history. Da Bassment in Rochester, NY. Another of the most unique aspects of Da Bassment is where the whole operation took place.
Having the vision to understand that being in the proximity of New York City could be a huge distraction his his crew of young artists, DeVante took them four hours away to Rochester, New York.
Darryl Pearson: What happened is, we went on tour. I did all the guitar and bass stuff for Jodeci. When we went on tour, I was playing on tour also. While we were there, we had the different guys in the band. Our drummer Reggie, he basically lived in Rochester, he was from there. He said he had a real nice studio we could work with in Rochester. It was owned by my business partner Dave Schumaker, he owned Dajhelon Studios.
After tour, we all packed up and moved to Rochester, New York. That was about I guess we grew out of Teaneck. We were going to The Hit Factory and different places.
But we were able to lock the whole studio out, it was just us, we had free run. The atmosphere was better for cultivation purposes. What happened is Playa came along. They were working, and then Dalvin met Stevie J from Buffalo when we got out there.
We were all in one place in Rochester. It felt like Antarctica! DeVante was very smart to take us there. At first we were in Teaneck, NJ, so DeVante was smart to take us away from being very close to the city.
We could really develop. Darryl Pearson: It was multiple floors. Our studios were in the basement. There were a few levels. We were all spread out all over the whole building. We are thankful that Dave Schumaker let DeVante do anything he wanted.
DeVante painted the walls, he did everything. He just accommodated us. Dave was a real good guy. He wanted real genuine artists. One he got everybody together who he wanted, what we wanted to do was get away from New York City and the influences and distractions, and Dajhelon Studios in Rochester just seemed to fit the bill there.
We ran into Dave who owned Dajhelon Studios. We flew up to meet him and talk him and tour the studios and decided to rent the whole studio out, and to bring all of the artists out and house them there. Just make it this base camp for production. There were some awesome times up here. Singers, songwriters, producers, rappers, engineers. Just music all day every day with no distractions. Devante Swing: Everybody had their little area, but Static had an overall responsibility to write and make others as hot in the camp.
I had main writers in the camp. It was Static, Missy and me. He had a certain swag. You know if you wanted something hot, you would go to Missy or Static. He came to be an artist and then he learned how to write from being around it. He always had his own swag that made him stick out. I just kind of rounded up the sharp edges and smoothed it out. Dalvin from Jodeci : Everybody had their own studio room. DeVante, Chad, Darryl or I would have something.
Jodeci never broke up. We just stopped putting out records. We went through a transitional period where the business changed, music changed, and we just stepped back. I'm a little younger. So for me, I remember there was Jodeci, and then there wasn't. Everything was rap, rap, rap. We just left it at that. But we stayed relevant because every artist, anybody from Usher to Justin Bieber was saying 'Jodeci this' and 'Jodeci that.
Artists that are really relevant kept the name alive. How long have you guys been making music for this latest project? We never stopped. You guys never stopped making music together? We got hundreds of songs we recorded. But for this project we took time and created new songs. It's not like we dug way back into and brought some of that older music out.
As far as when Jodeci stopped releasing music, was that a conscious decision, was there an actual conversation about it? We did the merger with Wu-Tang and we stayed relevant for a long time. Then it was like, let's just let the hip-hop era come through.
Did the label have anything to say about it? Save the juice. Let it marinate. You don't need to try to force something. Would there have been anyone who could have convinced ya'll to keep going? Did you expect K-Ci and JoJo to work as a duo for so long? That's long before we had a record deal.
The first one was successful, and we came back and said D, you ready? He said 'Nah, do another one. We was fans. So that's how that was. We saw K-Ci and JoJo releasing music and even in a reality show. I wish Devante was here, because one of my bigger questions is what were Devante and Dalvin up to for those 20 years?
I worked with Mariah Carey, Mary J. Blige—producing, writing, and understanding the business of the music. Preparing for Jodeci always. So to keep up with you, we would've had to check the credits a little harder? Now, behind closed doors, let's be just as successful when you go to the bank. Let's be successful in things you want to achieve in life not only on the stage but off the stage.
That's what becomes really important as you become wiser and older in the music business and about the flash and the fast cars, it's about getting your business straight and setting yourself up for the rest of your life. K-CI: We used to live that fast life, but we was young then.
We didn't know, we didn't understand, we didn't care. The older you get you see the business part of it. In the beginning it was cars or trying to have a whole bunch of jewelry and girls and stuff, but we see now.
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